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Applying LUTs in DaVinci Resolve

INCREDIBLE SONY FOOTAGE RENEGADE IS A COLLECTION OF LUTS MADE FOR S-LOG 2 Add cinematic color grades to your Sony footage in one easy step. INSTANT DOWNLOAD! ADD TO CART EASY TO USE Just pick the LUT you'd like and apply it to any shot with one click! WORKS IN MOST APPS Editing and color apps, even Photoshop, our LUTs work in just about anything. New Venice Look LUT's Version 3. Includes minus green LUTs. For FS5, FS7, F55, A7S, A7R. About; Changing the FX6's base look in Custom Mode using LUT's; Exposing and Using S-Log2 on the Sony A7s (or any other Alpha camera). Part One: Gamma and Exposure. New s709 LUT For The FX9 That's Less Green Than The Sony LUT. Nov 03, 2019 Inside this free download you’ll find the following 3 folders: 1D Adobe-Iridas -S-Log2 to S-Log3 Shaper – This is a gamma only 1D LUT that will work only in Adobe software such as Premiere Pro or Photoshop; 1D S-Log2 to S-Log3 Shaper – This is a gamma only 1D LUT that will work in any software that supports the use of 1D LUTs.

You can apply a LUT for color work in DaVinci Resolve 12.5 as follows.
First, download S-Log2 LUTs from the Sony website and save them in the LUT folder, because DaVinci Resolve 12.5 only includes S-Log3 LUTs.

Download 3D LUTs for DaVinci Resolve

• S-Gamut/S-Log2
• S-Gamut 3.Cine/S-Log3

Procedure

Start DaVinci Resolve 12.5 and make sure the Project Manager screen is displayed.

Click [New Project] and open a new project with a name of your choice.

When the [Media] page is displayed, import your material.

In the volumes listed in the upper left, select a folder with material to import. Clip thumbnails are shown once the material has been imported.

Drag clips to the [Media Pool] area.

If the frame rate of a clip you drop does not match the project frame rate, a frame rate conversion window is displayed. Click [Change] to adjust the frame rate of imported material to match your project.

Open the [Edit] page.

In the toolbar, select [File] > [New Timeline]. A window opens. For your new timeline, decide details such as [Start Timecode] and [Timeline Name].

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Clear the selected [Empty Timeline] check box, and then click [Create]. All clips in the [Media Pool] area are arranged on the timeline.

Open the [Color] page.

Right-click one of the clip thumbnails in the middle of the screen and choose a LUT from [3D LUT].

You can also add your regular LUTs to the [3D LUT] menu.

Click the [Project Settings] icon in the lower right. In the window that opens, click [Open LUT Folder] in [Color Management]. Save the LUTs you will use in this LUT folder.

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Here, use the S-Log2 LUTs you downloaded initially. Click [Update Lists]. You can now select the LUTs from [3D LUT].

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In actual editing, you may need to adjust the contrast before applying a LUT. In this case, go ahead and adjust the contrast before applying the LUT. With the LUT applied and your clip shown in colors for a Rec. 709 screen, you can now color grade it as you imagined it.